book “Eleven Unsung Heroes Of Early Rock & Roll: Historic Contributions By Artists You Never Heard Of”

I’m not sure naming your book “Eleven Unsung Heroes Of Early Rock & Roll: Historic Contributions By Artists You Never Heard Of” (Dick Stewart; The Lance Monthly Press; ISBN: 978-1450585903) is such a good idea. Convincing readers that they want to know the stories of “nobodies” is a tough sell. But Dick Stewart (himself an “unsung hero,” having played with Albuquerque’s King Richard & the Knights to local success in the sixties) has really only given us two “unknowns”: Robert Kelly of the Expressions and guitarist Clyde Hankins. The rest are musicians you know— or should know. Guys like Jack Ely, who sang “Louie Louie” with the Kingsmen; Davie Allen of “Blue’s Theme” fame; one-time Cricket Sonny Curtis; Carl Bunch, the drummer on Buddy Holly’s ill-fated Winter Dance Party and Larry Knechtel of Bread and the legendary Wrecking Crew of Hollywood studio musicians.

What most of the artists have in common (Larry, Davie and Jack are the exceptions) is a connection with the Texas/New Mexico music scene in the ‘50s and ‘60s and links to Clovis, New Mexico producer Norm Petty and his most successful product, Lubbock’s Buddy Holly. The book includes interviews with members of the Crickets and the String-A-Longs as well as the Fireballs. There were times in reading the book, though, when I wished Stewart had combined his interviews with Petty’s artists into a comprehensive examination of the controversial producer. As it is, we get contradicting recollections on the String-A-Longs’ signing with Warwick Records from Keith McCormack and Jimmy Torres. To his credit, Stewart makes note of the conflicting stories, but 32 pages later.

And I do want to correct one error— Stewart says the Beatles’ “I Want To Hold Your Hand” “immediately supplanted” the Fireballs’ “Sugar Shack” at the top of the charts. Actually, two months and four other #1 tunes separated those songs. It was easy for “Sugar Shack” to outsell “I Want To Hold Your Hand” in 1963, as Stewart contends. The latter song wasn’t even released in the U.S. until December 26 of that year.

All quibbling aside, these are stories that need to be told. Larry Knechtel, who played bass on Elvis Presley’s “comeback” TV special and piano on Simon & Garfunkel’s “Bridge Over Troubled Water,” died earlier this year and his chapter is as fine a eulogy as he could have hoped for. Carl Bunch was hospitalized with frostbite from the conditions on the Winter Dance Party and gives a first-hand account of the good and bad times he lived through on the tour as well as the tragic fate of Ronnie Smith, who was brought in to replace the late Buddy Holly with the Crickets on the tour.

Sonny Curtis paints a fascinating portrait of the early days of Buddy and the Crickets and gives the real story behind his writing of the theme song for TV’s “Mary Tyler Moore Show.” We’re also treated to the never-heard second verse of “Walk Right Back,” written by Sonny too late for the Everly Brothers to record.

It’s certainly not dry history. Jack Ely tells how a Boston deejay’s attempt to ridicule “Louie Louie” backfired. Larry Knechtel pulls no punches in dissing the Beach Boys. And Davie Allen chronicles his years of conflicts with Mike Curb.

Yes, these are unsung artists. But unknown? No way. We may not know all their names but their accomplishments are definitely noteworthy.

On the book’s back cover, readers are enticed by a promise that “a subsequent release [is] currently in the works.” That’s good news. Let’s hope he gives us an equally prestigious group of musicians to spotlight and that they also get their due.

http://www.amazon.com/exec/obidos/ISBN= 1450585906/ref=nosim/oldiesmusicA/

Submitted by Ron Smith
http://www.oldiesmusic.com/